The ASPC1 Audio System Polarity Checker is an essential tool for sound system technicians to check that all the drivers in a sound system are operating in the correct polarity. The product comes in two parts: The pulse generator; always gives a signal in positive phase with a flashing yellow LED to show tempo of pulse and to show that the product is in operation.

The detector; has green and red LEDs to show whether the driver has a positive or negative polarity and a flashing yellow LED to show that the product is in operation.

It is light, compact and supplied with belt pouch.

As a successor to the XO1, the new 2-in 6-out audio management system from XTA, in collaboration with Funktion One, offers advanced processing capabilities and improved performance along with extra features as standard. Extended processing capabilities - 9 (previously 5) full bandwidth parametric bands available on every output all switchable between PEQ, high and low shelving responses.

Further extended processing capabilities - crossover filters on each output now offer 48dB/Oct. responses, on top of the previo sly available 12 to 24dB/Octave options. A gentle 6dB/Octave roll-off response is also now included.

Flexible routing matrix available - in addition to standard fixed configurations such as 2 x 3 way (standard configs are still implemented) any output may be fed from any input or the sum of inputs. Edit buttons show routing instantly when pressed.

Delay memory allows for up to 650mS from any input to any output - extra fine delay resolution on outputs for driver alignment, in 30nS (0.1mm) steps!

Library manager software available for design of OEM presets - design your crossover live whilst connected to the unit and lock out any parameters as reqired to prevent end user adjustment/viewing. No practical limit to the number of presets that may be stored (over and above the user memories).

As a successor to the XO1, the new 4-in 8-out audio management system from XTA, in collaboration with Funktion One, offers advanced processing capabilities and improved performance along with extra features as standard.4 inputs and 8 outputs - native processing now runs at 96k resulting in wider bandwidth (over 30kHz).

Flexible routing matrix - in addition to standard fixed configurations such as 4 x 2 way (standard configs are still implemented), any output may be fed from any input or the sum of inputs. Edit buttons show routing instantly when pressed.

Extended processing capabilities - 9 (previously 5) full bandwidth parametric bands available on every output, all switchable between PEQ, high and low shelving responses.

Input EQ is now offered as standard - 8 bands of fully parametric EQ on each input channel.

Further extended processing capabilities - crossover filters on each output now offer 48dB/Oct. responses, on top of the previously available 1 to 4dB/Octave options. A gentle 6dB/Octave roll-off response is also now included.

''Extended EQ Pack'' also permits the construction of higher order crossover responses in the style of ''NTM'' or ''Hardman'' filters, with crossover responses above 7 dB/Octave easily realisable.

Legendary XTA program limiters with automatic and manual time constant facilities.

New additional ''D-Max'' limiter with look-ahead processing allows attack time of standard limiter to be optimised for best audio quality, whilst still being able to set a ceiling on the maximum output of any channel.

Delay memory allows for up to 650mS from any input to any output - extra fine delay resolution on outputs for driver alignment, in 30nS (0.1mm) steps!

Extended memory capacity - user memories now extended to a maximum of 55 which may be Input data, X-over data or both.

Library manager software available for design of OEM presets. Design your crossover live whilst connected to the unit, and lock out any parameters as required to stop end user adjustment/viewing. No practical limit to the number of presets that may be stored (over and above the user memories).

Improved converters - lower noise and improved distortion figures.

AES in/out interface - available as a product enhancement - accepts AES rates from 32k up to 192k via a sample rate converter. Output sample rate fixed at 96k. Front panel indication of AES selection and AES lock status.

Familiar 226 style user interface with enhancements including menu shortcuts and quick access triple press editing to get the job done quickly. ALL functions are available though the front panel interface - NOTHING is just a remote facility.

Bigger 2 x 24 character display with new low profile buttons.

Auto switching power supply works across the world on all voltages.

The E Series amplifiers are a range of lightweight, switch-mode power amplifiers designed and manufactured by MC2 Audio. This range of ultra high fidelity amplifiers have all the necessary qualities of reliability and sonic excellence to ensure that the full potential of a Funktion One loudspeaker system can be realised. Although the amplifiers are ideal for touring due to their light physical weight and compact size (2U), they are equally well suited for the installation environment. The range consists of five amplifiers, the E15, E25, E30Q, E45 and the outstanding E90.

E15 Two Channel Amplifier:

Output power (Watts RMS) per channel 8Ω - 425W; 4Ω - 750W; 2Ω - 1400W

E25 Two Channel Amplifier:

Output power (Watts RMS) per channel 8Ω - 650W; 4Ω - 1250W; 2Ω - 2200W

E30Q Four Channel Amplifier:

Output power (Watts RMS) per channel 8Ω - 750W; 4Ω - 825W

E45 Two Channel Amplifier:

Output power (Watts RMS) per channel 8Ω - 1200W; 4Ω - 2250W; 2Ω - 3200W

E90 Two Channel Amplifier:

Output power (Watts RMS) per channel 8Ω - 2000W; 4Ω - 4500W; 2Ω - 8000W

F60Q Funktion One F series 4 channel amplifier (1500W per channel)

XO60Q Crossover card for F60Q amplifier (pre-set)

To realise the full potential of Funktion One loudspeaker systems it is of vital importance that everything in the signal path is of equivalent quality to the loudspeakers. Choosing to work with an inadequate mixer can fatally impair the performance of a system and even some of the most used models actually sound terrible. Around 2004 we became increasingly frustrated with the lack of audio quality of almost every DJ mixer in the market and resolved to do something about this. We formed a working party of Funktion One sound technicians and DJs to design a layout for a new mixer and then worked in collaboration with Formula Sound to produce the FF4000 which delivers a revolutionary combination of DJ friendliness and stunning sound quality.

Dual Format DJ Mixer

To realise the full potential of Funktion One loudspeaker systems it is of vital importance that everything in the signal path is of equivalent quality to the loudspeakers. Choosing to work with an inadequate mixer can fatally impair the performance of a system and even some of the most used models actually sound terrible.

FF-6000 delivers a revolutionary combination of DJ friendliness and stunning sound quality.